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	<title>Wellington music and gig guide - The Kitchen Sink &#187; The Listening Post</title>
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		<title>Is Tropical &#8211; &#8220;When O When&#8221;</title>
		<link>http://thekitchensink.co.nz/the-listening-post/is-tropical-when-o-when/</link>
		<comments>http://thekitchensink.co.nz/the-listening-post/is-tropical-when-o-when/#comments</comments>
		<pubDate>Mon, 15 Mar 2010 15:28:01 +0000</pubDate>
		<dc:creator>jade</dc:creator>
				<category><![CDATA[The Listening Post]]></category>

		<guid isPermaLink="false">http://thekitchensink.co.nz/?p=3477</guid>
		<description><![CDATA[A floating melody runs through this French flavoured track from Is Tropical. ]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter" title="Is Tropical" src="http://hitclubhq.com/files/gimgs/7_is-tropical.jpg" alt="" width="363" height="512" /></p>
<p>Is Tropical &#8212;‘When O When’</p>
<p>A floating melody runs through this French flavoured track from Is Tropical. Live the band all wear bandanas to cover their faces- either they’re all hideous or this is another intriguing dimension to the band. Or both. Either way it doesn’t really matter once the song kicks in. The effete beginning transcends into an almost Late of the Pier inspired chorus (a less raucous LOTP flavour) with rolling drums and distorted vocals which occurs. With a light fluttering of repetitive lyrics (all the better for singing along with) and a gritty bite this is a band who know what there doing. B-Side ‘Seasick Mutiny’ has more electro musings over the same intense drumbeats. If Hot Chip got a bit hyperactive on sugary sweets maybe they’d sound like this? Colourful and interesting instrumental.</p>
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		<title>Wild Palms &#8211; &#8220;Deep Dive&#8221;</title>
		<link>http://thekitchensink.co.nz/the-listening-post/wild-palms-deep-dive/</link>
		<comments>http://thekitchensink.co.nz/the-listening-post/wild-palms-deep-dive/#comments</comments>
		<pubDate>Fri, 12 Mar 2010 12:31:02 +0000</pubDate>
		<dc:creator>jade</dc:creator>
				<category><![CDATA[The Listening Post]]></category>

		<guid isPermaLink="false">http://thekitchensink.co.nz/?p=3455</guid>
		<description><![CDATA[Wild Palms are set to soar and swoop into your ears with new single Deep Dive.]]></description>
			<content:encoded><![CDATA[<p><img src="http://thekitchensink.co.nz/wp-content/uploads/2010/03/wild-palms.jpg" alt="Wild Palms" title="Wild Palms" width="500" height="449" class="alignnone size-full wp-image-3459" /></p>
<p>Wild Palms are set to soar and swoop into your ears with new single Deep Dive. Thumping drums, confident vocals and a flipping catchy riff means that this song has all the components of ‘The Next Big Thing’. Layers peel off layers to reveal not only a 4-minuet pop wonder but also a slice of danceable indie and lyrics with depth.</p>
<p>It’s possibly B-Side ‘Human Behaviour’ which shows the band maturing into a new phase musically- finally shedding that ‘post-punk’ tagline. Whilst haunting vocals tease over a thumping bass line, guitar skitters across and tethers the whole song together creating an altogether uneasy yet engaging listening experience.</p>
<p>So yeah you could be all ‘They’re totally Gang of Four mating with Joy Division” but you’d be wrong. All bands have elements of others burrowed deep within and Wild Palms manage to learn from their influences without getting bogged down by them. Because you can probably draw a straight line from the Beatles to the Doors to Bowie and onwards to even Mick Hucknall (shudder/love)… Influence is derivative but Wild Palms are here to stay.</p>
<p>LISTEN TO: Deep Dive, &#8230;Over&#8230;Time&#8230;<br />
www.myspace.com/wearewildpalms</p>
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		<title>So So Modern &#8211; &#8220;Crude Futures&#8221;</title>
		<link>http://thekitchensink.co.nz/the-listening-post/so-so-modern-crude-futures/</link>
		<comments>http://thekitchensink.co.nz/the-listening-post/so-so-modern-crude-futures/#comments</comments>
		<pubDate>Fri, 05 Mar 2010 00:46:20 +0000</pubDate>
		<dc:creator>gemma</dc:creator>
				<category><![CDATA[The Listening Post]]></category>

		<guid isPermaLink="false">http://thekitchensink.co.nz/?p=3309</guid>
		<description><![CDATA[By George I think they've got it! WHAT ARE YOU FIGHTING FOR?]]></description>
			<content:encoded><![CDATA[<p><a href="http://thekitchensink.co.nz/the-listening-post/so-so-modern-crude-futures/attachment/so-so-modern-2/" rel="attachment wp-att-3308"><img src="http://thekitchensink.co.nz/wp-content/uploads/2010/03/So-SO-Modern-300x300.png" alt="" title="So SO Modern" width="500" height="500" class="alignnone size-medium wp-image-3308" /></a></p>
<p><strong>7.7/10</strong><br />
It was always going to be, and has so far been a hard feat trying to capture something as great as So So Modern&#8217;s live shows on an album. So in a stroke of GENIUS (and due to fortunate circumstances), <em>Crude Futures</em> was recorded LIVE. My god that has paid off.</p>
<p>While <em>Friendly Fires</em> was clunky at times, there is a synergy in <em>Crude Futures</em> that has almost matched the level of interest and energy that people have come to expect from their live shows. It&#8217;s like they have finally found the way to slip between the live and the recorded and still keep it rad in both &#8211; The So So Megatron is oooon! While it&#8217;s not completely on-par, it showcases So So as a band that has developed into a complex BEAST.</p>
<p>Every little bit of this album seems to have been thought about, and not just the songs but the album artwork and title as well. The title <em>Crude Futures</em> fits in so freakin&#8217; well with the So So Modern ethos. The idea of utopias/dystopias, the future and a sense of urgency about the life we are living seem to be ingrained into their songs both lyrically and musically. Matched with John Lake&#8217;s artwork (which mixes surrealism with a documentary approach), So So Modern have made an album that seems to want to FIGHT. Not fight you silly, they are fighting for a FUTURE.</p>
<p>While some people would pass <em>Crude Futures</em> off as self-indulgent in the sense that it is overtly dramatic and border-line wank-on-a-synth, I would say that the album has a sophistication, elegance and maturity about it that previous recordings haven&#8217;t had. WELL DONE.</p>
<p><strong>Listen:</strong> The Worst Is Yet To Come</p>
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		<title>The Ruby Suns &#8211; &#8220;Fight Softly&#8221;</title>
		<link>http://thekitchensink.co.nz/the-listening-post/the-ruby-suns-fight-softly/</link>
		<comments>http://thekitchensink.co.nz/the-listening-post/the-ruby-suns-fight-softly/#comments</comments>
		<pubDate>Fri, 26 Feb 2010 11:50:10 +0000</pubDate>
		<dc:creator>gemma</dc:creator>
				<category><![CDATA[The Listening Post]]></category>

		<guid isPermaLink="false">http://thekitchensink.co.nz/?p=3245</guid>
		<description><![CDATA[<img src="http://thekitchensink.co.nz/wp-content/uploads/2010/02/fight-softly.jpg" alt="Fight Softly" title="Fight Softly" width="180" height="180" class="alignnone size-full wp-image-3263" />

Ooo! First review for 2010 in <a href="http://thekitchensink.co.nz/the-listening-post/">The Listening Post</a>. Ruby Suns "Fight Softly". ]]></description>
			<content:encoded><![CDATA[<p><strong>8.4/10</strong><br />
FUCK YOU <a href="http://www.stuff.co.nz/dominion-post/entertainment/reviews/3373345/CD-review-Fight-Softly-The-Ruby-Suns">SIMON SWEETMAN.</a></p>
<p>Saying the Ruby Suns is just plain derivative is like saying that you have to shit a new colour out of your ass these days to make a good new album (and there are enough colours on the album cover for me to enjoy at any rate). Ok, there are comparisons to be made: Paul Simon, Simply Red, Highlife &#8211; yeah ok I get it. There are influences there for sure &#8211; but MY GOD this is a surprising album. In a good way.</p>
<p>Yes, there were leanings towards this new sound on <em>Sea Lion</em> &#8211; at the end of <em>Morning Sun</em> when that beat drops bro &#8211; PHWOAR. That&#8217;s where the magic starts to happen. <em>Fight Softly</em> is far more complex,  and unashamedly invites you to dance along like you are 14 years old and the Macarena has just come out.</p>
<p>It feels really positive. This is an album that drives along, is catchy as all hell and has Vengaboy synths. Is a bro supposed to feel bad these days for making catchy as all hell, dancy pop-afro tunes? In this humble reviewer&#8217;s opinion &#8211; NO FUCKING WAY.</p>
<p>Get some joy in your life Sourman.</p>
<p><strong>Listen to <em>Cranberry (radio edit)</em></strong></p>
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		<title>281009 Nevernudes, Drab Doo-Riffs, Cougar x 3</title>
		<link>http://thekitchensink.co.nz/the-listening-post/281009-nevernudes-drab-doo-riffs-cougar-cougar-cougar/</link>
		<comments>http://thekitchensink.co.nz/the-listening-post/281009-nevernudes-drab-doo-riffs-cougar-cougar-cougar/#comments</comments>
		<pubDate>Tue, 27 Oct 2009 13:02:54 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[The Listening Post]]></category>

		<guid isPermaLink="false">http://thekitchensink.co.nz/?p=2762</guid>
		<description><![CDATA[Vivian Girls, Brendan Benson, Nevernudes, Casiotone for the Painfully Alone, The Brunettes, Julian Plenti, The Flaming Lips, Monsters of Folk, The Drab Doo-Riffs, The Very Best, Air, I Heart Hiroshima, Chromeo, LCD Soundsystem, Cougar Cougar Cougar]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/281009/lp-vivian-girls.jpg" class="alignleft" alt="Everything Goes Wrong cover" /><br />
<strong>Vivian Girls</strong> <a href="http://www.myspace.com/viviangirlsnyc" class="myspace">myspace/viviangirlsnyc</a><br />
<span class="album">Everything Goes Wrong (Rhymemethod/Inertia)</span></p>
<p><strong>Featured tracks:</strong> The End, Out for the Sun</p>
<p>Vivian Girls are one of those bands that received what seemed like an undeserved amount of blog attention and therefore their first album purposely passed me by as I refused to buy the hype. Then they toured relentlessly to rave reviews, answered some terrible questions (things like “If you had to be an ice cream flavour what would it be” in magazines that shall remain nameless) hilariously and released a sophomore album in an impressively timely fashion and I subsequently started to pay attention. Apparently the title Everything Goes Wrong is unrelated to band woes of any kind because there are none, instead referring to those minor details that disrupt our lives, and with straight up track titles like “I have no fun”, “Can’t get over you” and the straight up aggressive minimalism with which they engage the instruments, it seems like three members of Vivian Girls attack everyday foibles with equally as much pent-up reverbed fury. If only everyone who fell over in the street or had a lame time at a party could have so much fun recounting the fact.<br />
<span class="orange"></span>      </p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/281009/lp-brendan-benson.jpg" class="alignleft" alt="My Old Familiar Friend cover" /><br />
<strong>Brendan Benson</strong> <a href="http://www.myspace.com/brendanbenson" class="myspace">myspace/brendanbenson</a><br />
<span class="album">My Old Familiar Friend (Shock)</span></p>
<p><strong>Featured tracks:</strong> Eyes on the Horizon, Don&#8217;t Wanna Talk</p>
<p>Ever since I saw the video clip to ‘Cold, Hands, Warm Heart’ (the cutest way I think stick figures have ever been personified on film) and a friend then introduced me to Lapalco I have been hooked on Brendan Benson. Even though he’s all super-group famous as the co-frontman to Jack White’s The Raconteurs, he’s still a gentle, pop-writing heartbreaker underneath and he took time out from world tours and rock ‘n roll debauchery to sit on the deck of his Detroit farm house (or so the cover sleeve would have you believe) and pen some ditties about his usual lyrical fodder; girls. And it’s the same as it ever was, which makes the title of the album My Old Familiar Friend just perfect. Brendan Benson is back, with the same synthesized-cum-pop riff prowess of before in the most Benson-y of cutely optimistic hand-clapped lovelorn ways.<br />
<span class="orange"></span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/281009/lp-nevernudes.jpg" class="alignleft" alt="Nevernudes EP cover" /><br />
<strong>The Nevernudes</strong> <a href="http://www.myspace.com/nevernudes" class="myspace">myspace/nevernudes</a><br />
<span class="album">Nevernudes EP (Independent)</span></p>
<p><strong>Featured tracks:</strong> Grade F Meat, Crop Circles</p>
<p>THE NEVERNUDES EP IS LIKE THE SHORTEST REVIEW OF AN ALBUM PRODUCED ENTIRELY IN CAPITAL LETTERS THAT IS OVER BEFORE YOU KNOW IT SUMMING UP EVERYTHING ABOUT YOUTHFUL POST-PUNK SPAZ ROCK WHILE IT’S AT IT.<br />
<span class="orange"></span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/281009/lp-casiotone.jpg" class="alignleft" alt="Advance Base Battery Life cover" /><br />
<strong>Casiotone for the Painfully Alone</strong> <a href="http://www.myspace.com/cftpa" class="myspace">myspace/cftpa</a><br />
<span class="album">Advance Base Battery Life (Tomlab/The Label)</span></p>
<p><strong>Featured tracks:</strong> Holly Hobby, Streets of Philadelphia</p>
<p>Aww ever since ‘I Love Creedence’ found its way onto my computer and the downright sadness of a man singing about losing the one person “apart from his dad who’s ever said he’s loved” him I have been hooked on the melancholic drum-machine synth-tears that Casiotone for the Painfully Alone delivers. Advance Base Battery Life (what does that title mean – it’s the type of draining that you expect … experiences a lot) opens with a reservedly aggressive drum bear and an underwater washiness that peaks and lulls as the lyrics are appropriately droll or emotional. And then that cute girly vocal interrupts from track two with “and she’ll probably never have a clue, because he’ll probably never say a thing to you” and the emptiness (that in turn produces fullness in the tracks, naturally) of typical CFTPA is realized *sob**sniffles*. Oh and there’s a borderline obsession with Bruce Springsteen at the tail-end of this album in the form of three covers. Weird, but oddly fitting.<br />
<span class="orange"></span>      </p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/281009/lp-the-brunettes.jpg" alt="Paper Dolls cover" class="alignleft" /><br />
The Brunettes <a href="http://www.myspace.com/thebrunettes" class="myspace">myspace/brunettes</a><br />
<span class="album">Paper Dolls (Lil Chief/Rhymemethod)</span></p>
<p><strong>Featured tracks:</strong> Rollerskate Song, The Crime Machine</p>
<p>This is the first full length from the Auckland duet since things went sour with their American representation Sub Pop and I’m guessing they wanted to come out kicking. And while not as subtley or intricately constructed as their previous albums (particularly Structure and Cosmetics), Paper Dolls is back-to-pop basics at it’s best. Heather’s ironic, Jonathan’s crooning, and there’s 12 tracks that still make you think that they’re dating and experiencing all the niggles that go along with that: in a 1950’s Pleasantville colour palette of course.<br />
<span class="orange"></span>      </p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/281009/lp-julian-plenti.jpg" class="alignleft" alt="Julian Plenti is... Skyscraper cover" /><br />
<strong>Julian Plenti</strong> <a href="http://julianplenti.com/site" class="myspace">www/julianplenti.com</a><br />
<span class="album">Julian Plenti is&#8230; Skyscraper (Matador)</span></p>
<p><strong>Featured tracks:</strong> Skyscracper, Unwind</p>
<p>Crapola &#8216;Unwind&#8217; is a great track. IT MAKES ME WANNA HUG EVERYONE. When Mr Banks says &#8217;sexy&#8217; or &#8217;sex appeal&#8217; it kinda makes me cringe &#8211; like when parents say it and you think that PARENTS DON&#8217;T SAY THINGS LIKE THAT, or when they joke about that kind of thing too. It&#8217;s all &#8211; you aren&#8217;t supposed to have a sense of humour parent, you are in a serious band called Interpol who are well past their used by date. Think of yourself as the child of Paul Banks (he went &#8217;solo&#8217; on this album &#8211; great imagery for THAT one kiddies) &#8211; and this album is you realising that he is not in cringey Interpol, but is Julian Plenti. A real person who talks about boobies and things &#8211; like you do.<br />
<span class="orange"></span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/281009/lp-the-flaming-lips.jpg" class="alignleft" alt="Embryonic cover" /><br />
<strong>The Flaming Lips</strong> <a href="http://www.myspace.com/flaminglips" class="myspace">myspace/flaminglips</a><br />
<span class="album">Embryonic (Warner)</span></p>
<p><strong>Featured tracks:</strong> I can be a Frog (feat. Karen O.), Worm Mountain (feat. MGMT)</p>
<p>I normally use the words ZANY and KOOKY to describe things that are really lame and piss me off. So I&#8217;m not gonna use those words to describe this album. The embryonic stage is just before the fetus stage &#8211; which is funny cause I feel like this is the perfect, solid formation of Flaming Lips bits &#8211; not all floaty, weird body bits. The album is like a lot of ideas smooshed together to form an acid baby that I love instantly as it comes hurtling at me straight from Wayne Coyne&#8217;s vagina.<br />
<span class="orange"></span>      </p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/281009/lp-monsters-of-folk.jpg" class="alignleft" alt="Monsters of Folk cover" /><br />
<strong>Monsters of Folk</strong> <a href="http://www.myspace.com/monstersoffolk" class="myspace">myspace/monstersoffolk</a><br />
<span class="album">Monsters of Folk (Rough Trade/Spunk)</span></p>
<p><strong>Featured tracks:</strong> Slow Down Jo, His Master&#8217;s Voice</p>
<p>If the dudes from Slow Boat Records somehow jizzed together into a cup and then genetically engineered the majority of their Top 50 albums together into the mix it would probably sound like this. I was gonna call Monsters Of Folk dicks for calling a song &#8216;His Master&#8217;s Voice&#8217; but then I listened to it and it&#8217;s actually a great song. Just a couple of bros jammin out an album, and it sounds like they couldn&#8217;t really give a shit what you think &#8211; they are stoked with it. Someone told me it would be a great album to get blazed to on a Sunday. Production wise it&#8217;s a little heavy handed, but some of the tracks are absolute rippers.<br />
<span class="orange"></span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/281009/lp-the-drab-doo-riffs.jpg" class="alignleft" alt="Bury Me In Drab cover" /><br />
<strong>The Drab Doo-Riffs</strong> <a href="http://www.myspace.com/thedrabdooriffs" class="myspace">myspace/thedrabdooriffs</a><br />
<span class="album">Bury Me In Drab (Independent)</span></p>
<p><strong>Featured tracks:</strong> Drives Me Crazy, I Wanna Be Spock</p>
<p>Spock, Bruce Springsteen, cars, Plan 9, squealy girls with &#8216;tude &#8211; if you can&#8217;t get off on this album (in a seriously retro, shake your whole body like you are in skin tight leopard print anything &#8211; as long as it&#8217;s b-52&#8217;s/Cramps-sy) then I will personally come over to your house and smack you round the side of the head. YOU OBVIOUSLY HAVE NO JOY IN YOUR LIFE.<br />
<span class="orange"></span>      </p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/281009/lp-the-very-best.jpg" class="alignleft" alt="Warm Heart of Africa cover" /><br />
The Very Best <a href="http://www.myspace.com/theverybestmyspace" class="myspace">myspace/theverybestmyspace</a><br />
<span class="album">Warm Heart of Africa (Downtown/Inertia)</span></p>
<p><strong>Featured tracks:</strong> Warm Heart of Africa (feat. Ezra Koenig), Mfumu</p>
<p>OMG IT&#8217;S A LEGITIMATE VAMPIRE WEEKEND. Haha I&#8217;m just being a dick. It&#8217;s an awesome album (and also features Ezra Koenig from Vampire Weekend!). You&#8217;ve got some zappy 80s tang happening, mean beats and pop-tastic afro bliss. This album makes me feel like we can all get along.<br />
<span class="orange"></span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/281009/lp-air.jpg" class="alignleft" alt="Love 2 cover" /><br />
<strong>Air</strong> <a href="http://www.myspace.com/intairnet" class="myspace">myspace/intairnet</a><br />
<span class="album">Love 2 (Virgin France/EMI)</span></p>
<p><strong>Featured tracks:</strong> Be a Bee, Heavens Light</p>
<p>Air release their new long-player &#8216;Love 2&#8242; to what is a certain amount of anticipation. Reason being, Air are champions of the &#8216;Downbeat&#8217; genre. Air releases always contain their trademark &#8217;sound&#8217; which most people are familiar with &#8211; Psych-Pornotronica with silky, mysterious vocals. But it&#8217;s what they do with it that really counts. So an album summary then?  &#8216;Premiere Symtones&#8217; &#038; &#8216;Moon Safari&#8217; were landmark. &#8216;10,000 HZ Legend&#8217; leaves me confused, even to this day.&#8217;The Virgin Suicides OST&#8217; was a fine return to form &#038; &#8216;Talkie Walkie&#8217; was outstanding.&#8217;Pocket Symphony&#8217; was pretty average which brings us to 2009&#8230; &#8216;Love 2&#8242; = 6/10 (margin for error +/- 1).<br />
<span class="orange"></span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/281009/lp-i-heart-hiroshima.jpg" class="alignleft" alt="The Rip cover" /><br />
<strong>I Heart Hiroshima</strong> <a href="http://www.myspace.com/ihearthiroshima" class="myspace">myspace/ihearthiroshima</a><br />
<span class="album">The Rip (Valve Australia -import)</span></p>
<p><strong>Featured tracks:</strong> Tracks Got Out, The Corner</p>
<p>I Fuckin&#8217; Heart I Heart Hiroshima! I Heart them on album, and I Heart them live. A spikey-punky-Indie-Pop 3-piece who call Brisbane, Australia home. &#8216;The Rip&#8217; is their second album (1st album &#8216;Tuff Teef&#8217; was released in 2008) and this time round they have been helped by a Post-Punk music icon &#8211; Gang Of Four main man Andy Gill on mixing duties. The IHH style is unique, but happily references heroes of the past like GO4, Mission Of Burma &#038; Husker Du. The dual guy/girl vocal attack gives them a vehicle to tear apart society&#8217;s ill&#8217;s but with melodies to trip you up, just when you think you have them sussed. Genius.<br />
<span class="orange"></span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/281009/lp-chromeo.jpg" class="alignleft" alt="DJ Kicks cover" /><br />
<strong>Chromeo</strong> <a href="http://www.myspace.com/chromeo" class="myspace">myspace/chromeo</a><br />
<span class="album">DJ Kicks (!K7/Border)</span></p>
<p><strong>Featured tracks:</strong> 4 mix tracks &#8211; Shazam!, Chromeo, Diane Tell, Alan Parsons</p>
<p>Chromeo released their debut &#8216;Fancy Footwork&#8217; a couple of years back now. A new album on the way but the Canadian duo reknowned for making dancefloors move, have dropped a gem of a compilation mix by way of the latest in the !K7 DJ Kicks series. A reliably ecclectic collection of tunes featuring the new (Lifelike, Chateau Marmont, Shazam), the old (Alan Parsons, Chromeo covering The Eagles, Leo Sayer), and everything in between. Exactly as the creators of the compilation series intended. Chromeo joins Booka Shade, Daddy G, Hot Chip, Erlend Oye, Rockers Hi-Fi &#038; Carl Craig as an essential release in the !K7 DJ Kicks catalogue.<br />
<span class="orange"></span>      </p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/281009/lp-lcd-soundsystem.jpg" class="alignleft" alt="45:33 The Remixes cover" /><br />
<strong>LCD Soundsystem</strong> <a href="http://www.myspace.com/lcdsoundsystem" class="myspace">myspace/lcdsoundsystem</a><br />
<span class="album">45:33 The Remixes (DFA/EMI)</span></p>
<p><strong>Featured tracks:</strong> Idiot Heart, Black Swan</p>
<p>James Murphy and his NYC based label DFA continue to release innovative and inspiring (mainly) Electronic music with a Punk ethos. It&#8217;s consistent enough to go down as one of the great labels / music movements in recent memory. Really? Hey, it’s my opinion. James’ band LCD Soundsytem released the concept album &#8216;45:33&#8242; last year and this year it has been given the remix treatment by 9 different artists, all impressive in their own right. Including &#8211; Runaway, Pilooski, Padded Cell, Prins Thomas, Theo Parish &amp; Prince Language. An essential addition to your L-CD collection. Of course you already own the self titled debut &amp; &#8216;Sound Of Silver&#8217; right?<br />
<span class="orange"></span>      </p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/281009/lp-cougar-cougar-cougar.jpg" class="alignleft" alt="Big Time Party Pussy Animal cover" /><br />
<strong>Cougar Cougar Cougar</strong> <a href="http://www.myspace.com/cougarcougarcougarband" class="myspace">myspace/cougarcougarcougarband</a><br />
<span class="album">Big Time Party Pussy Animal (!K7/Border)</span></p>
<p><strong>Featured tracks:</strong> Satan&#8217;s Blues, Radio Waves</p>
<p>Wellington&#8217;s Cougar x 3 have been applying their trade to the NZ live scene for some time now. They have an album under their belt &amp; a swag of gigs played with a load of cool bands, and the 3 members all have the last name Cougar! What else needs to be said about a legit sounding Rock band? By legit i mean you believe them. I believe what they are saying and why they are saying it. Being a &#8216;believable&#8217; Rawk band today is no easy thing. So much faux bullshit. Cougar Cougar Cougar have just released an EP called &#8216;Big Time Party Pussy Animal&#8217;. And I believe them. You should also.<br />
<span class="orange"></span></p>
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		<title>011009 Popstrangers, The Clean, Kerretta</title>
		<link>http://thekitchensink.co.nz/the-listening-post/011009-popstrangers-the-clean-kerretta/</link>
		<comments>http://thekitchensink.co.nz/the-listening-post/011009-popstrangers-the-clean-kerretta/#comments</comments>
		<pubDate>Wed, 30 Sep 2009 12:47:11 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[The Listening Post]]></category>

		<guid isPermaLink="false">http://thekitchensink.co.nz/?p=2755</guid>
		<description><![CDATA[Blitzen Trapper, Japandroids, Pastels, Tenniscoats, Juice Aleem, Yo La Tengo, Atlas Sound, Taken By Trees, Popstrangers, The Big Pink, The Clean, Yacht, Lightning Dust, Kerretta, Sunset Rubdown]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/011009/lp-blitzen-trapper.jpg" class="alignleft" alt="Black River Killer EP cover" /><br />
<strong>Blitzen Trapper</strong> <a href="http://www.myspace.com/blitzentrapper" class="myspace">myspace/blitzentrapper</a><br />
<span class="album">Black River Killer EP (Sub Pop/Rhymemethod)</span></p>
<p><strong>Featured tracks:</strong> Black River Killer, Big Black Bird</p>
<p>One of the new school of Sub Pop bands. Portland, Oregon&#8217;s Blitzen Trapper make Indie Folk/Country firmly planted in the 1970&#8217;s school of Neil Young song creation. That said, the Black River Killer EP grabbed me straight away with a sure-fire sound of Retro Folk Rock that sounds as legit as Mr Young, or Mr Buckingham for that matter. For lead singer and songwriter E. Earley, this all seems effortless.<br />
<span class="orange">DJ LOTION</span>      </p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/011009/lp-japandroids.jpg" class="alignleft" alt="Post-Nothing cover" /><br />
<strong>Japandroids</strong> <a href="http://www.myspace.com/japandroids" class="myspace">myspace/japandroids</a><br />
<span class="album">Post-Nothing (Unfamiliar/Polyvinyl)</span><br />
<strong>Featured tracks:</strong> Young Hearts Spark Fire, Heart Sweats</p>
<p>These dudes don&#8217;t make short, spikey tracks like I expected &#8211; but they are totally pumped and high energy through each of their tracks. These dudes make anthems &#8211; the average song length is about 5 minutes (I suck at maths). So they sound kinda like No Age if they were covering The Black Parade &#8211; which sounds pretty cool actually.<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/011009/lp-pastels-tenniscoats.jpg" class="alignleft" alt="Two Sunsets cover" /><br />
<strong>Pastels / Tenniscoats</strong> <a href="http://www.myspace.com/thepastels" class="myspace">myspace/thepastels</a> |<a href="http://www.myspace.com/tenniscoats" class="myspace">myspace/tenniscoats</a><br />
<span class="album">Two Sunsets (EMI)</span></p>
<p><strong>Featured tracks:</strong> About Us, Sodane</p>
<p>Extensive American indie band with lengthy career and sporadic releases takes the opportunity to get something new on the board after a suggestion by cutesy Japanese pop purveyors to collaborate. Sparse, cute, a little bit cinematic (in a Woody Allen lovefest kinda way), there’s room in these little ditties to appreciate every piece of them, and maybe appreciate whatever you’re doing who whoever you’re with at the time of listening a little bit more too.<br />
<span class="orange">COURTNEY FLURO</span>      </p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/011009/lp-juice-aleem.jpg" class="alignleft" alt="Jerusalaam Come cover" /><br />
<strong>Juice Aleem</strong> <a href="http://www.myspace.com/jerusalaam" class="myspace">myspace/jerusalaam</a><br />
<span class="album">Jerusalaam Come (Big Dada / Ninja Tune / Border)</span></p>
<p><strong>Featured tracks:</strong> First Lesson, The Killer&#8217;s Tears</p>
<p>UK MC Juice Aleem is back with a new album unusually titled &#8216;Jerusalaam Come&#8217;. His collective New Flesh (formerly New Flesh For Old) alongside Roots Manuva; were at the forefront of the new wave of British Hip-Hop championed by Ninja Tunes (and subsequently Big Dada) in the early norty&#8217;s. This album is no different in that regard &#8211; cutting edge, lyrically slick and forward thinking beats. Refreshing bizzo in the commercially Kanye-soaked booty-bass hip-hop market of 2009.<br />
<span class="orange">DJ LOTION</span>      </p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/011009/lp-yo-la-tengo.jpg" alt="Popular Songs cover" class="alignleft" /><br />
<strong>Yo La Tengo</strong> <a href="http://www.myspace.com/yolatengo" class="myspace">myspace/yolatengo</a><br />
<span class="album">Popular Songs (Rhymemethod)</span></p>
<p><strong>Featured tracks:</strong> Avalon Or Somewhere Very Similar, If It&#8217;s True</p>
<p>Prolific indie band release millionth album to rave reviews and critical acclaim which his all totally deserved because almost everything this band does (the Condo Fucks ‘Fuck Book’ &#8211; taking the piss out of the press by trying to confuse them with a side project that they swore wasn’t them and was just a covers album anyway so it didn’t really matter – was questionable) is solid-as.<br />
<span class="orange">COURTNEY FLURO</span>      </p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/011009/lp-atlas-sound.jpg" class="alignleft" alt="Logos cover" /><br />
<strong>Atlas Sound</strong> <a href="http://www.myspace.com/bradfordcox" class="myspace">myspace/bradfordcox</a><br />
<span class="album">Logos (Kranky/4AD)</span></p>
<p><strong>Featured tracks:</strong> Walkabout (feat. Noah Lennox), My Halo</p>
<p>I listened to this album just before I started cruising on the Interislander. I was sitting down, the boat started, I got hungry, stood up and started walking and my mind and body hadn&#8217;t adjusted to the fact that we were on water and I had this trippy/buzzy experience. And basically that is a great metaphor for this album.<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/011009/lp-taken-by-trees.jpg" class="alignleft" alt="East Of Eden cover" /><br />
<strong>Taken By Trees</strong> <a href="http://www.myspace.com/takenbytreesmusic" class="myspace">myspace/takenbytreesmusic</a><br />
<span class="album">East Of Eden (Rough Trade / The Label)</span></p>
<p><strong>Featured tracks:</strong> Anna, Day By Day</p>
<p>Victoria Bergsman is probably best known for her guest vocal on the Peter, Bjorn &amp; John smash-hit Young Folks. She has also previously fronted Pop darlings The Concretes. But from her home in Sweden Victoria decided to try something  out of her comfort zone. Recording under the name Taken By Trees using Asian musicians &amp; influences &#8211; East Of Eden was born. A concept album of sorts, but more a truly international bite out of contemporary Pop music.<br />
<span class="orange">DJ LOTION</span>      </p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/011009/lp-popstrangers.jpg" class="alignleft" alt="Popstrangers EP cover" /><br />
<strong>Popstrangers</strong> <a href="http://www.myspace.com/popstrangers" class="myspace">myspace/popstrangers</a><br />
<span class="album">Popstrangers EP (Independent)</span></p>
<p><strong>Featured tracks:</strong> 1000, Take Me to the Grave</p>
<p>WOAH &#8211; THESE DUDES MAY BE POPSTRANGERS, BUT THEY ARE NO STRANGERS TO POPSENSIBILITIES HAHAHAHA. OK pretend you are a fish, and this delicious things drops down in front of you from out of the blue. You like the look of it, you bite it and you realise OH MY GOD THIS IS CATCHY (geddit?). Next, imagine you are biting into a savoury twist from the bakery. You think you bought the one that&#8217;s just cheese and pastery and then you realise IT HAS BACON BITS &#8211; I love bands who squide 7 different songs into one. OK so there isn&#8217;t really cheese in this twist, but swap the cheese for whatever you think the Arctic Monkeys would be in food form.<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/011009/lp-the-big-pink.jpg" class="alignleft" alt="A Brief History Of Love cover" /><br />
<strong>The Big Pink</strong> <a href="http://www.myspace.com/musicfromthebigpink" class="myspace">myspace/musicfromthebigpink</a><br />
<span class="album">A Brief History Of Love (Domino / Rhymemethod)</span></p>
<p><strong>Featured tracks:</strong> Velvet, Dominos</p>
<p>Gemma / Minty Fresh thinks that the single from this album is pitching itself to replace Oasis’s numerous number ones as official English soccer game anthem, and whenever it comes on up at Active she refuses to do work (impossible apparently) instead kicking a soccer ball round the studio. Not only does this provide amazing entertainment, but she could just be right. Which is weird, because the rest of this album really is quite intelligently expansive electronica, that is more at home in Shoreditch dives – well, maybe a slightly bigger venue, but only just – than at a Stadium. So we’re playing the single <em>Dominos</em> and my favourite from the rest of the album <em>Velvet</em> to show the comparison, and you can decide which version of this band you prefer.<br />
<span class="orange">COURTNEY FLURO</span>      </p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/011009/lp-the-clean.jpg" class="alignleft" alt="Mister Pop cover" /><br />
<strong>The Clean</strong> <a href="http://www.myspace.com/theclean" class="myspace">myspace/theclean</a><br />
<span class="album">Mister Pop (Arch Hill Recordings)</span></p>
<p>Featured tracks:</span>In the Dreamland U Need a Rubber Soul, Asleep in the Tunnel</p>
<p>It seems that when people reach a certain age with a band there is always the chance that they will either become really anal with their recordings, or they will soft cock out. Luckily, from a young age The Clean seem to have been taking vitamins or something cause they are as satisfying as ever! This dreamy, Dunedin pop will charm the pants off of you. It&#8217;s a mature but quirky poptart &#8211; and oh how I love a good gypo Clean guitar solo!<br />
<span class="orange">MINTY FRESH</span></p>
<div id="listen_sub_11"><img src="http://www.thekitchensink.co.nz/images/listeningpost/011009/lp-yacht.jpg" class="alignleft" alt="See Mystery Lights cover" /><br />
<strong>Yacht</strong> <a href="http://www.myspace.com/yacht" class="myspace">myspace/yacht</a><br />
<span class="album">See Mystery Lights (DFA / Shock)</span></p>
<p><strong>Featured tracks:</strong> The Afterlife, I&#8217;m In Love With A Ripper (Party Mix)</p>
<p>YACHT&#8217;S Summer Song &amp; Psychic City have been staple content in DJ Lotion sets this year. As such, this is a essential release to review &amp; anyone in the know can concur that I am a willing ambassador of the NY label DFA, which YACHT are signed to. Portland Oregon duo Jonas &amp; Claire are YACHT and their album &#8216;See Mystery Lights&#8217; alongside The Juan MacLean&#8217;s &#8216;The Future Will Come&#8217; (from LP#1) is future music. Future music you should be more than happy to embrace.<br />
<span class="orange">DJ LOTION</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/011009/lp-lightning-dust.jpg" class="alignleft" alt="Infinite Light cover" /><br />
<strong>Lightning Dust</strong> <a href="http://www.myspace.com/lightningdust" class="myspace">myspace/lightningdust</a><br />
<span class="album">Infinite Light (Jagjaguwar / Rhymemethod)</span></p>
<p><strong>Featured tracks:</strong> I Knew, History</p>
<p>Is there something in the water that’s urging all of my favourite bands to release side projects at the moment? I don’t know but this is awesome! Infinite Light is the side project of Black Mountainers Amber Webber and Joshua Well and it’s like the little sister that’s going through that emotional coming of age phase where her first boyfriend has just broken up with her, compared to the 18 year old boy (Black Mountain) who has just gone off to uni (probably in Dunedin) and just wants to go to bars and get laid. Expansive violins sit atop minimalist drums and classic everything else, producing poignant classic alt-rock gems.<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/011009/lp-kerretta.jpg" class="alignleft" alt="Vilayer cover" /><br />
<strong>Kerreta</strong> <a href="http://www.myspace.com/kerretta" class="myspace">myspace/kerretta</a><br />
<span class="album">Vilayer (Midium / Universal)</span></p>
<p><strong>Featured tracks:</strong> Sleepers, Nest Of Spies</p>
<p>Kerretta have a rather long history considering it&#8217;s only in the last month that their debut album &#8216;Vilayer&#8217; has seen the light of day. Together on and off for 5 years; you could be excused for asking &#8220;what the hell have they been doing?&#8221; The answer lies in the bands &#8216;other jobs&#8217;. Promotions, Record label head-honcho&#8217;s, a Producer responsible for recording Jakob, An Emerald City &amp; more. It is with these bands that the comparisons of Kerretta lie. Instrumental Post-Rock that defies the laws of the earth &amp; mother nature, All from their homes in Kingsland, AK.<br />
<span class="orange">DJ LOTION</span>      </p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/011009/lp-sunset-rubdown.jpg" class="alignleft" alt="Dragonslayer cover" /><br />
<strong>Sunset Rubdown</strong> <a href="http://www.sunsetrubdown.net/" class="myspace">sunsetrubdown.net/</a><br />
<span class="album">Dragonslayer (Jagjaguwar / Import)</span></p>
<p><strong>Featured tracks:</strong> Idiot Heart, Black Swan</p>
<p>Sunset Rubdown is the other lead dude of Wolf Parade (not Dan Boeckner of Handsome Furs) just casually creating another brilliant side project from one of the bands who arguably broke Montreal indie-pop to the world. And because of the distinctiveness of Spencer Krug’s vocals, you can immediately place this as a Wolf Parade spin-off. But there’s nothing wrong with that right – angular guitar, jaunty off-kilter intellectual lyrics, the occasional awkward but perfect rhythm section and keyboards gone wild. Bring on another side project! Bring on a supergroup! Hey, maybe Jack White’s keen?<br />
<span class="orange">COURTNEY FLURO</span></p>
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		<title>270809 Batrider, James Duncan, Tiddabades</title>
		<link>http://thekitchensink.co.nz/the-listening-post/270809-batrider-james-duncan-tiddabades/</link>
		<comments>http://thekitchensink.co.nz/the-listening-post/270809-batrider-james-duncan-tiddabades/#comments</comments>
		<pubDate>Wed, 26 Aug 2009 12:42:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[The Listening Post]]></category>

		<guid isPermaLink="false">http://thekitchensink.co.nz/?p=2750</guid>
		<description><![CDATA[Batrider, Jay Reatard, Wavves, The XX, Slow Club, Amanda Blank, Papercuts, Oh Mercy, Arctic Monkeys, Ze 30, James Duncan, Dodos, Tiddabades, Milky Disco 2 (compilation), Fiery Furnaces]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/270809/lp-batrider.png" class="alignleft" alt="Why We Can't Be Together cover" /><br />
<strong>Batrider</strong> <a href="http://www.myspace.com/batrider" class="myspace">myspace/batrider</a><br />
<span class="album">Why We Can&#8217;t Be Together (Shock)</span></p>
<p><strong>Featured tracks:</strong> Homie Gnomie, Can&#8217;t Keep Up</p>
<p><em>Homie Gnomie</em> is actually my favourite song at the moment – I can’t stop listening to it – and I have a  discman because my iPod broke and I keep having to shamedly take it out of my bag to flick it back to this track because it’s just so damn good. In fact, I think <em>Homie Gnomie</em> is almost the piece de resistance of Batrider to date and encapsulates everything they’re about without being overtly guitar-core or angry. Although it’s pretty angry. And then the rest of the album is pretty guitar-core. So Why We Can’t Be Together as an album takes everything that Batrider does musically and compiles it in different ways into different tracks. <em>Homie Gnomie</em> takes everything Batrider is about thematically and hammers it home in 3 and-and-a-half minutes. Yes please.<br />
<span class="orange">COURTNEY FLURO</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/270809/lp-jay-reatard.png" class="alignleft" alt="Watch Me Fall cover" /><br />
<strong>Jay Reatard</strong> <a href="http://www.myspace.com/jayreatard" class="myspace">myspace/jayreatard</a><br />
<span class="album">Watch Me Fall (Matador)</span></p>
<p><strong>Featured tracks:</strong> Hang Them All, Rotten Mind</p>
<p>This is a relentless album that starts off with abrupt, nasally vocals to shock you into the mood. The album is punchy and professional, taking you on a handclap-inducing trip through the paranoid life of Mr Reatard. Upon first listen <em>Watch Me Fall</em> is really intense &#8211; almost to the point where it is almost offputting. BUT, delve a little deeper and you will get to know the real album &#8211; more affectionate, melodic and sophisticated than it would first make you believe. I think what Jay Reatard wants is a little love and dedication &#8211; give it to him!<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/270809/lp-waaves.png" class="alignleft" alt="Waaves cover" /><br />
<strong>Wavves</strong> <a href="http://www.myspace.com/wavves" class="myspace">myspace/waaves</a><br />
<span class="album">Waaves (Shock)</span></p>
<p><strong>Featured tracks:</strong> Waaves, The Boys Will Love Us<br />
The other day Scott was like &#8220;I played <em>Wavves</em> by the band Wavves from the album <em>Wavves</em> on my radio show&#8221; and it sounded fucking crazy because they’re were no mid levels at all. In other words: Xtreme. And this is totally the point of Wavves. Everything he’s about he is about to the extreme. He’s extremely lo-fi, extremely screamy, extremely short and extremely intense. Which makes for an intensely short hard-out listen. But that intensity means for that short amount of time you my friend are listening to nothing else: which is for the best, because this guy has got the musical goods. Beware: you may need some easy listening after this.<br />
<span class="orange">COURTNEY FLURO</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/270809/lp-the-xx.png" class="alignleft" alt="The XX cover" /><br />
<strong>The XX</strong> <a href="http://www.myspace.com/thexx" class="myspace">myspace/thexx</a><br />
<span class="album">The XX (Young Turks/The Label)</span></p>
<p><strong>Featured tracks:</strong> Heart Skipped A Beat, Shelter</p>
<p>The XX have blown up (in an underground way) from their home in London. Best friends, singer/songwriters Romy &amp; Oliver are out front, and production is taken care of by Jamie and 4th member Baria is a fly keyboardist. Haunted Pop is the best way i can describe it. It has been labelled a few things but the album speaks for itself &amp; The XX defy description really. Vocally &amp; lyrically beautiful with a hint of genius going on in the music. Diverse but consistent. Hyped? Yes, but deservedly so on this occassion.</p>
<p><span class="orange">DJ LOTION</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/270809/lp-slow-club.png" alt="Yeah, So cover" class="alignleft" /></p>
<p><strong>Slow Club</strong> <a href="http://www.myspace.com/slowclub" class="myspace">myspace/slowclub</a><br />
<span class="album">Yeah, So (Rhymemethod)</span></p>
<p><strong>Featured tracks:</strong> It Doesn&#8217;t Have To Be Beautiful, Our Most Brilliant Friends</p>
<p>So I interviewed Rebecca from this band a couple of nights ago and she was the NICEST person ever. All like &#8220;yeah, like I’m actually at me ma’s house because we played V Festival at the weekend and I’m knackered&#8221; in her super thick Sheffield accent. And it’s appropriate that she was super nice because Slow Club’s music is super nice in that folk-country prettily melodic sense. But like all good country music there’s this underlying sadness in the lyrics and (sometimes) the music that sort of makes you feel bad about dancing to it or listening to it in the sun when you’re all happy and stuff. But not bad enough to make you stop doing it.<br />
<span class="orange">COURTNEY FLURO</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/270809/lp-amanda-blank.png" class="alignleft" alt="I Love You cover" /><br />
Amanda Blank <a href="http://www.myspace.com/amandablank" class="myspace">myspace/amandablank</a><br />
<span class="album">I Love You (Downtown/Inertia)</span></p>
<p><strong>Featured tracks:</strong> What You Got (feat. Spank Rock), Might Like You Better</p>
<p>Oh shit this gurl is fiiiiieeeerce. As a quick reference, think Peaches with a broader lyrics book and more banging beats &#8211; I Love You is as clubby and sexy as all hell. Getting hot and heavy with the likes of Spank Rock, Lykki Li and Chuck Inglish, put this shit on if you feel like shakin yo assssss. I mean, it&#8217;s not rocket science but if you wanna feel like you own this city &#8211; you will totally get pumped to this. How many ways can you say &#8216;Fuck me&#8217;? Heaps.<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/270809/lp-papercuts.png" class="alignleft" alt="You Can Have What You Want cover" /><br />
<strong>Papercuts</strong> <a href="http://www.myspace.com/thepapercuts" class="myspace">myspace/thepapercuts</a><br />
<span class="album">You Can Have What You Want (Spunk / Rhymemethod)</span></p>
<p><strong>Featured tracks:</strong> Jet Pane, The Wolf (feat. Alex Scally)</p>
<p>My first introduction to Papercuts was via a Ruby Suns remix of the &#8216;Future Primitive&#8217; track. Upon getting the album proper, it has succeeded in keeping me going back to it. Soundwise it is comparable to The Ruby Suns but also Beach House &amp; Panda Bear. Papercuts are San Francisco-based and is the brainchild of songwriter Jason Robert Quiver. Jason has help from his buddies including Alex Scally from Beach House who pops up numerous times on the album. Indie Folk with a twist of Psychedelia &#8211; this is a solid album which will delight and suprise.<br />
<span class="orange">DJ LOTION</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/270809/lp-oh-mercy.png" class="alignleft" alt="My Privileged Woes cover" /><br />
<strong>Oh Mercy</strong> <a href="http://www.myspace.com/ohmercyband" class="myspace">myspace/ohmercyband</a><br />
<span class="album">Privileged Woes (Shock)</span></p>
<p><strong>Featured tracks:</strong> Met A Wizard, Couldn&#8217;t Let You Down</p>
<p>This album makes me wanna beg. In a similar vein to Camera Obscura and the Go-Betweens, these charmers from across the Tasman swoon so softly you&#8217;ll cuddle up tight with your warm fuzzies and be swept up in their emo-enducing lyrics. Musically it’s totally pop-tastic and makes you smile like you&#8217;ve just seen the cutest thing ever, but lyrically it comes with a whole lot of heart break. It&#8217;s like a kitten that has just spewed up milk and looks all confused but is forever forgivable due to its endearing nature.<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/270809/lp-arctic-monkeys.png" class="alignleft" alt="Humbug cover" /><br />
Arctic Monkeys <a href="http://www.myspace.com/arcticmonkeys" class="myspace">myspace/arcticmonkeys</a><br />
<span class="album">Humbug (EMI)</span></p>
<p><strong>Featured tracks:</strong> Crying Lightening, Dangerous Animal</p>
<p>I have been a total proponent of Arctic Monkeys from day one and I stay by that through all the hate, the overexposure, and that single.  Finally rewarded by Alex Turner’s Scott Walker-esque side project The Last Shadow Puppets the Monkeys&#8217; newest venture is in the same vein: witty, sleek vocals and lyrics coupled with heavy R.O.C.K production by Josh Homme.<br />
<span class="orange">COURTNEY FLURO</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/270809/lp-ze-30.png" class="alignleft" alt="Ze Records 1979 - 2009 cover" /><br />
<strong>Ze 30</strong> <a href="http://www.myspace.com/zerecords" class="myspace">myspace/zerecords</a><br />
<span class="album">Ze Records 1979 &#8211; 2009 (Strut Records)</span><br />
<strong><br />
Featured tracks:</strong> Material (feat. Nona Hendryx) Bustin&#8217; Out, Suicide &#8211; Dream Baby Dream</p>
<p>Ze records solidified New York as the epicenter of Amazing, and this collection of tracks are an absolute cluster-fuck of awesome. It&#8217;s the dirty underbelly of Donna Summer heaving and humping over a steady drum beat. It is that cynical, angular 80&#8217;s style that absorbed capitalist culture and shat it out into that wasted, clubby post-punk. Coupled with disco sensibilities that reminds us who the Juan Maclean, DFA, The Rapture, Chicks on Speed and Gossip et al. sold their soul to.<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/270809/lp-james-duncan.png" class="alignleft" alt="Hello-fi cover" /><br />
<strong>James Duncan</strong> <a href="http://www.myspace.com/pyewarmer" class="myspace">myspace/jamesduncanmusic</a><br />
<span class="album">Hello-fi (Round Trip Mars / Universal)</span><br />
<strong>Featured tracks:</strong> My New Flumes (feat. Bachelorette), &#8230;Of Everyone Around You</p>
<p>James Duncan has just (&amp; finally!) released his debut album called &#8216;Hello-Fi&#8217;. A play on words clearly cause this bad boy is anything but under-produced. From the get-go it&#8217;s a keeper. &#8216;My New Flumes&#8217; featuring Annabel Bachelorette on the guest vocal kicks things off in fine style. Other radio singles follow <em>The Cupboards Bare</em> &amp; <em>Don&#8217;t Close Your Eyes</em>. Nearly every track however, shows a music creator on top of his game. James Duncan is also a guitarist in Dimmer, SJD &amp; Punches so he is a busy man&#8230; Too busy in fact &#8211; when does he eat?<br />
<span class="orange">DJ LOTION</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/270809/lp-dodos.png" class="alignleft" alt="Time To Die cover" /><br />
<strong>Dodos</strong> <a href="http://www.myspace.com/thedodos" class="myspace">myspace/thedodos</a><br />
<span class="album">Time To Die (Shock)</span></p>
<p><strong>Featured tracks:</strong> Two Medicines, The Strums</p>
<p>Time to Die has the same Dodos you know and love (ooO I love that guitar sound), but also progresses beyond the rawness of Visiter into a more complex assortment of journeying songs &#8211; does that make sense? I guess I&#8217;m meaning if I could personify it, each of the tracks would be like its own individual traveling folk gypsy. I think <em>Two Medicines</em> is one of my favourite songs of the year too. The album still has those beautiful harmonies without drowning itself in overproduction, and holy crap that dude can play guitar. These guys have really pushed their sound to give more character to each of the songs too &#8211; well done Dodos. Well done.<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/270809/lp-tiddabades.png" class="alignleft" alt="Tiddabades EP cover" /><br />
<strong>Tiddabades</strong> <a href="http://www.myspace.com/tiddabades" class="myspace">myspace/tiddabades</a><br />
<span class="album">EP (self-released)</span></p>
<p><strong>Featured tracks:</strong> Colours, Romance Dance</p>
<p>Wellington 4-piece that have been getting all the cool support slots. Original sounding band, although they do owe a nod to Joy Division &amp; Gang Of Four for some ol&#8217; skool Post-Punk inspiration. Tiddabades have been working on this EP for a while so it&#8217;s good to see it out there in a tangiable form and available for your purchase via the bands myspace page www.myspace.com/tiddabades. Punchy production, clever arrangements, lyrically sharp and a local release worthy of praise. Kicking the corpse back to life!<br />
<span class="orange">DJ LOTION</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/270809/lp-milky-disco.png" class="alignleft" alt="Let's Go Freak Out cover" /><br />
<strong>Milky Disco 2</strong><br />
<span class="album">Let&#8217;s Go Freak Out (Lo Recordings / Border)</span></p>
<p><strong>Featured tracks:</strong> You Are Amen, Big City Lights</p>
<p>I never heard <em>Milky Disco 1</em> but if number 2 is anything to go on, it is essential listening. Since receiving this double album of various artists, it has been a mainstay in DJ Lotion radio shows &amp; has also found it&#8217;s way into DJ Lotion club sets. It&#8217;s foundation lies in Cosmic Disco (as the title suggests), but it&#8217;s a real mixed bag of tempo&#8217;s and flavours. It features &#8216;So-Hot-Right-Now&#8217; names such as Expanding Head Band, Canyons, Black Devil Disco Club, Soft Circle, CFCF, Windsurf &amp; Ghost Note. Lo Recordings is also a very accomplished electronic label on the indie tip&#8230; so seek child, seek!<br />
<span class="orange">DJ LOTION</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/270809/lp-fiery-furnaces.png" class="alignleft" alt="I'm Going Away cover" /><br />
<strong>Fiery Furnaces</strong> <a href="http://www.myspace.com/thefieryfurnaces" class="myspace">myspace/thefieryfurnaces</a><br />
<span class="album">I&#8217;m Going Away (Rhymemethod)</span></p>
<p><strong>Featured tracks:</strong> Champagne Charmaine, Cut The Cake</p>
<p>Elanor Freidenberger is a Brooklyn babe who together with her brother (who in an interesting twist is Elanor&#8217;s boyfriend&#8217;s &#8211; Alex Kapranos of Franz Ferdinand &#8211; guitar tech) write the most weirdly eclectic pop-folk-rock-with vocally bluesy tinged music this side of well, something super weird. <em>I&#8217;m Going Away</em> is no different. Employing all manner of instruments, time signatures and actually – smoothness – this album sounds like everything else The Fiery Furnaces have done, which in turn, sounds nothing like anything else.<br />
<span class="orange">COURTNEY FLURO</span></p>
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		<title>300709 Bachelorette, 1995, The Family Cactus</title>
		<link>http://thekitchensink.co.nz/the-listening-post/300709-bachelorette-1995-the-family-cactus/</link>
		<comments>http://thekitchensink.co.nz/the-listening-post/300709-bachelorette-1995-the-family-cactus/#comments</comments>
		<pubDate>Wed, 29 Jul 2009 12:11:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[The Listening Post]]></category>

		<guid isPermaLink="false">http://thekitchensink.co.nz/?p=2744</guid>
		<description><![CDATA[Aleks and the Ramps, The Family Cactus, Cass McCombs, Mos Def, Bibio, Wildbirds and Peacedrums, 1995, Bachelorette, Discovery, MSTRKRFT, Pie Warmer, Jarvis Cocker, Who Made Who, Speech Debelle, The Dead Weather, Team Doyobi, Black Pus, Nisennenmondai, Debruit]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/300709/lp-alexs-and-the-ramps.png" class="alignleft" alt="Midnight Believer cover" /><br />
<strong>Aleks and the Ramps</strong> <a href="http://www.myspace.com/aleksandtheramps" class="myspace">myspace/aleksandtheramps</a><br />
<span class="album">Midnight Believer (Rhymemethod)</span></p>
<p><strong>Featured tracks:</strong> Destroy the Universe with Jazz Hands, Whiplash</p>
<p>Australia’s been responsible for some pretty embarrassing musical exploits, but then a band arrives from across the tasman that blows your mind in such a cutely experimental way that you have to give those kangaroos some credit. Aleks and the Ramps is one such group, and having been told by everyone that they rocked the party at CALH 2009 which I sadly didn’t attend, I was none surprised to discover tracks like ‘Destroy the Universe with Jazz Hands’ (amazing title) rode waves of delicately constructed time signatures and acoustically based instrumentation, only to have beautifully melancholic lyrics sit atop. And you get a poster with the album (the artwork for this album rules)! And maybe you can sing such things like &#8220;there’s nothing cute about a girl that sits cross legged at the local book store&#8221; right back at them when they tour here again, &#8217;cause they’re just from Australia right?<br />
<span class="orange">COURTNEY FLURO</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/300709/lp-family-cactus.png" class="alignleft" alt="Come Howling cover" /><br />
<strong>The Family Cactus</strong> <a href="http://www.myspace.com/familycactus" class="myspace">myspace/familycactus</a><br />
<span class="album">Come Howling (Sony)</span></p>
<p><strong>Featured tracks:</strong> In Transit, A Giant Flash in the Pan</p>
<p>To be honest I didn&#8217;t know what to expect from this album. Not to say that this was a pleasant surprise, but it really did impress me when I heard it the first time. One day recently whilst browsing through Real Groovy, like there always is there was a band on the stereo playing. &#8220;Aw choice this is pretty polished and good,&#8221; I thought to myself (one doesn&#8217;t have to edit ones thoughts as they come to them &#8211; yes, it was as uncomplicated as that). Low and behold &#8211; it was the Cactus! It was a fortunate experience with their music because they seem to sound better in a space like that which gives the music breathing space. There are some definite Neil Finn moments scattered throughout the album, but it&#8217;s obvious that this music isn&#8217;t trying to push the musical boundaries and is very competent in its genre.</p>
<p>Would go best: In an epic space &#8211; maybe a field where you can run around with 6 of your friends, or as a present for your Dad to keep him up with what&#8217;s new but not scare him too much.<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/300709/lp-cassmccombs.png" class="alignleft" alt="Catacombs cover" /><br />
<strong>Cass McCombs</strong> <a href="http://www.myspace.com/cassmccombs" class="myspace">myspace/cassmccombs</a><br />
<span class="album">Catacombs (Domino/EMI)</span></p>
<p><strong>Featured tracks:</strong> Prima Donna, Lionkiller Got Married</p>
<p>Cass McCombs is a singer-songwriter who spends his time between Chicago &#038; New York. What I<br />
first liked about the new album Catacombs was the drums, percussion loops &#038; tempo shifts that creep up on you. Cass is obviously a man with something to say as the subject matter delves into the personal but is also likely to speak something relevant to everyone. Lush production, an amazing band and great songs make this a stand-out Indie release for 09.<br />
<span class="orange">DJ LOTION</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/300709/lp-mos-def.png" class="alignleft" alt="The Ecstatic cover" /><br />
<strong>Mos Def</strong> <a href="http://www.myspace.com/mosdef" class="myspace">myspace/mosdef</a><br />
<span class="album">The Ecstatic (Downtown Records / Rhymemethod)</span></p>
<p><strong>Featured tracks:</strong> Quiet Dog Bite Hard, Auditorium feat. Slick Rick</p>
<p>Mos Def is on the top of my Hip-Hop MC list and since the first taste of this &#8211; <em>Quiet Dog</em> 2 months ago I have been eagerly awaiting the new release – &#8216;The Ecstatic&#8217;. This album is another chapter in the impressive career of Mr Def. Not a concept album as such but it definitely follows a theme of anti-Bush America. References to terrorism on planes, the war in Iraq and the breakdown of the US financial system. Featuring guests such as Slick Rick &amp; long-time partner in rhyme Talib Kweli.<br />
<span class="orange">DJ LOTION</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/300709/lp-bibio.png" alt="Ambivalence Avenue cover" class="alignleft" /><br />
<strong>Bibio</strong> <a href="http://www.myspace.com/mrbibio" class="myspace">myspace/mrbibio</a><br />
<span class="album">Ambivalence Avenue (Warp)</span></p>
<p><strong>Featured tracks:</strong> Lover&#8217;s Carving, Fire Ant</p>
<p>I think this album should be called Schitzo Street. It goes from singer/songwriter type stuff to this hip hop type business &#8211; and that change freaked me out at first. Even the production quality varies between the styles. The songs range from traditional folky songs to tracks that use sampling and Mr Hayday-esque sounds. The more you listen to the folk songs, the more you can feel the warmth in them &#8211; a physicality in the recordings. In regards to electronic tracks &#8211; I feel rather unsophisticated in the area due to the fact that I have to listen to them in the context of this album.</p>
<p>Would go best: when you want to spice up your day with a bit of musical variety that is still pretty cool stuff to listen to&#8230; cool.<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/300709/lp-wildbirds.png" class="alignleft" alt="The Snake cover" /><br />
<strong>Wildbirds and Peacedrums</strong> <a href="http://www.myspace.com/wildbirdsandpeacedrums" class="myspace">myspace/wildbirdsandpeacedrums</a><br />
<span class="album">The Snake (The Leaf Label)</span></p>
<p><strong>Featured tracks:</strong> There is No Light, Great Lines</p>
<p>This is the money for me this LP, you must buy this album. Swedish duo Mariam Wallentin and Andreas Werliin play minimalist drum-vocal indie-folk to eachother while discussing various world events, performing at jazz festivals and creating beautiful cover art and video clips. ‘There is no light’ in particular &#8211; you have to check out this clip &#8211; directed by Andreas Nilsson is this rapturously haunting jaunt through the extremes of female vocals and the ability for drumming to carry an entirely pop worthy track, all the while clad in burka’s with an equally minimalist camera style going down. They’re signed to a minor called The Leaf Label which is responsible for a couple of other great exploits (you can check them out and I think <a href="http://leaf.greedbag.com/subscribe/" class="myspace">download a sampler if you sign up here</a>). Do it!<br />
<span class="orange">COURTNEY FLURO</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/300709/lp-1995.png" class="alignleft" alt="Guilt EP cover" /><br />
<strong>1995</strong> <a href="http://www.myspace.com/1995band" class="myspace">myspace/1995band</a><br />
<span class="album">Guilt EP (Isaac / Independent)</span></p>
<p><strong>Featured tracks:</strong> Red Forest, Getting&#8217; Brainz<br />
There seems to be an overload of bands using numerals as monikers or track titles at the moment. 1995 hail from Auckland and despite the numeral thing, they have a unique sound &amp; manage to pull off an original 5 track EP release. Imagine The Horrors mixed with Bailter Space and you might be close. 1995 have gathered quite a following in the City of Sails, which looks set to grow to other regions and then who knows? A long-player is promised before too long also.<br />
<span class="orange">DJ LOTION</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/300709/lp-bachelorette.png" class="alignleft" alt="My Electric Family EP cover" /><br />
<strong>Bachelorette</strong> <a href="http://www.myspace.com/bachelorettepop" class="myspace">myspace/bachelorettepop</a><br />
<span class="album">My Electric Family (Drag City)</span></p>
<p><strong>Featured tracks:</strong> Mind Warp, The National Grid</p>
<p>Vocally, Bachelorette sounds like an android angel who has smoked too much. The music drifts in and out of dream sequences, and sometimes THE MUSIC SWIRLS AROUND INSIDE YOUR HEAD (try listening to Mind Warp in headphones). The album ranges from simpler acoustic-y songs like &#8216;Mercurial Man&#8217; which forefront the traditional guitar, drums and bass (although towards the end it sounds like a swarm of keyboard bees) through to the more epic songs like &#8216;The National Grid&#8217; that use almost completely sampled sounds.</p>
<p>PS Bachelorette are probably one of the best live acts I&#8217;ve seen &#8211; she is currently touring with Pikelet in her backing band too &#8211; CUTE.</p>
<p>Would go best: in headphones to get the amazing swirly effect in Mind Warp, or whilst watching the iTunes visualiser.<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/300709/lp-discovery.png" class="alignleft" alt="Discovery cover" /><br />
<strong>Discovery</strong> <a href="http://www.myspace.com/discoverdiscovery" class="myspace">myspace/discoverdiscovery</a><br />
<span class="album">LP (XL Recordings / Rhymemethod)</span></p>
<p><strong>Featured tracks:</strong> Osaka Loop Line, I Wanna Be Your Boyfriend</p>
<p>So apparently this band was named so after Daft Punk and there are some obvious references and similarities, but really these guys are so fucking weirdly eclectic and all-over-the-place referentially that I don’t know if it’s a fair statement. The side project of one of the dudes from Vampire Weekend, it’s an ADD romp through the check points of both of his major outing, plus some overt use of auto-tune plus some at times cringe-worthy funk  and regaee referencing, but at the end of the day you pull some tracks out of it going, wow, that was really fun, and yep, I could party to that. And I think that’s the point – pull what you like out of it and discard the rest, ‘cause there’s definitely some well produced, eclectic dance shit in there for everyone.<br />
<span class="orange">COURTNEY FLURO</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/300709/lp-mstrkrft.png" class="alignleft" alt="Fist of God cover" /><br />
<strong>MSTRKRFT</strong> <a href="http://www.myspace.com/mstrkrft" class="myspace">myspace/mstrkrft</a><br />
<span class="album">Fist of God (Dim Mak / Universal)</span></p>
<p><strong>Featured tracks:</strong> Vuvuvu, Click Click feat. E-40</p>
<p>MSTRKRFT (said Master Craft) are monsters in the Electro realm. Formed in Toronto, Canada in 2005, the duo are known mainly for their HUGE remixes of every big name under the sun including Justice, Daft Punk, Chromeo, CSS, The Kills, Bloc Party &#038; more. Their new album &#8216;Fist of God&#8217; has not only a fantastic cover, but features an array of interesting guest vocals from the likes of Nore, E-40, Ghostface Killah, &#038; Lil Mo. The MSTRKRFT production is in full effect and as you&#8217;d expect it&#8217;s subtle as a sledgehammer to the face. FAT!<br />
<span class="orange">DJ LOTION</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/300709/lp-pie-warmer.png" class="alignleft" alt="The Fearsome Feeling cover" /><br />
<strong>Pie Warmer</strong> <a href="http://www.myspace.com/pyewarmer" class="myspace">myspace/pyewarmer</a><br />
<span class="album">The Fearsome Feeling (Lil Chief)</span></p>
<p><strong>Featured tracks:</strong> The Motorway, I Broke All the Rules</p>
<p>I used to feel all weird about calling things &#8216;kooky&#8217;, but this album has it in bucket loads &#8211; in the best possible way! I mean just look at the cover &#8211; it&#8217;s not out to tell you anything in a straightforward way. It&#8217;s an endearing little album released on New Zealand&#8217;s charming Lil&#8217; Chief records, and will satisfy your need for pop songs without the cringy &#8216;oh no she doesn&#8217;t love me anymore waaah&#8217; type lyrics. A totally refreshing listen that has been lovingly constructed, with lyrics that might throw you but will still charm you silly.</p>
<p>Would go best: in a car ride to Auckland, or with a whole bunch of your friends at your flat who like to geek out about transgressive pop music.<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/300709/lp-jarvis-cocker.png" class="alignleft" alt="Further Complications cover" /><br />
<strong>Jarvis Cocker</strong> <a href="http://www.myspace.com/jarvspace" class="myspace">myspace/jarvspace</a><br />
<span class="album">Further Complications (Rough Trade / Rhymemethod)</span></p>
<p><strong>Featured tracks:</strong> I Never Said I Was Deep, Homewrecker</p>
<p>Isn’t Jarvis Cocker just so god-damn cool and amazing. It kind of doesn’t matter what he does it’s always going to be awesome because he was in Pulp and he wrote ‘Common People’ and he now lives in France writing poetry and gangling around with his model wife and hangin’ at café’s and just generally being ‘arty’ but it’s not clichéd at all because, you know, he’s ‘Jarvis’. Luckily to top things off this album is full of musical gems too, in appropriately eclectic fashion, like ‘I never said I was deep’ which belongs in some divey-yet-classy (“I met her in a museum of paleontology / but I make no bones about it” – geddit?”) Las Vegas strip club, while ‘Pilchard’ and ‘Angela’ are off kilter equally as witty anthem-esque rock tracks. Swoon *Jarvis* Swoon.<br />
<span class="orange">COURTNEY FLURO</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/300709/lp-who-made-who.png" class="alignleft" alt="The Plot cover" /><br />
<strong>Who Made Who</strong> <a href="http://www.myspace.com/whomadewhomusic" class="myspace">myspace/whomadewhomusic</a><br />
<span class="album">The Plot (Gomma / Rhymemethod)</span></p>
<p><strong>Featured tracks:</strong> Small Town City, Office Clerk<br />
Who Made Who hail from Copenhagen, Denmark. They have toured with Hot Chip, LCD Soundsystem, Late Of the Pier &amp; The Juan MacLean. With that in mind, the sound is not that dissimiliar to those bands. Electro-Punk, Post-Disco what ever you wanna term it. In any case WMW wear great one-piece suits on stage, maybe on their downtime too? The Plot is a collection of well-crafted Electro-Pop tunes with a slant to the wierd side. Wierd being great.<br />
<span class="orange">DJ LOTION</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/300709/lp-speech.png" class="alignleft" alt="Speech Therapy cover" /><br />
<strong> Speech Debelle</strong> <a href="http://www.myspace.com/speechdebellemusic" class="myspace">myspace/speechdebellemusic</a><br />
 <span class="album">Speech Therapy</span></p>
<p><strong>Featured tracks:</strong> The Key, Spinnin&#8217;</p>
<p>Speech Debelle talks to you like a spoken-word soul sister, although she ain&#8217;t no diva. Her music puts you in a really introspective mood, making you want to be able to approach new situations with an ability to be retrospective&#8230; So yeah, it seems like it helps put things in her life in perspective as well&#8230; SPECTIVE. This is an album about personal development &#8211; about dealing with people and hopefully growing from it with an ultimately positive and mature outlook. Musically, it drives along on the vocals, with rather traditional instruments (everything from violin to guitar to trumpet etc etc) in the sparse arrangement. Production wise the instruments are treated to a Hip-Hopification.</p>
<p>Would go best: on headphones on a long walk wearing a big puffer jacket, or sitting in your room where you can read the lyrics in the booklet along with it.<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/300709/lp-dead-weather.png" class="alignleft" alt="Horehound cover" /><br />
<strong>The Dead Weather</strong><br />
<span class="album">Horehound (Third Man Records / Sony)</span></p>
<p><strong>Featured tracks:</strong> Cut Like a Buffalo, Treat Me Like Your Mother</p>
<p>Did Jack White need another blues rock side project with already side-projected out members of bands including QOTSA, The Raconteurs and The Kills? Probably not. Is this an intriguingly sinister example of a band knowing exactly what they are and what atmosphere they want to create, and arriving to the fold as a fully- fashioned explosively good package? For sure. While individual tracks by White (<em>Cut Like a Buffalo</em> in particular) are standouts, the co-operative tracks (<em>Treat me like your mother</em>, <em>Bone house</em> and <em>3 birds</em>) provide cornerstones of sinister blues for the aforementioned, and Mosshart&#8217;s crooning sexiness to slot within. Glass of red + starkly cold winters eve = haunting Horehound experience.<br />
<span class="orange">COURTNEY FLURO</span></p>
<p><strong>Bonus picks!</strong><br />
<img src="http://www.thekitchensink.co.nz/images/listeningpost/300709/lp-team-doyobi.png" class="alignleft" alt="Orch.V cover" /><br />
<strong>Team Doyobi</strong> <a href="http://www.myspace.com/teamdoyobi" class="myspace">myspace/teamdoyobi</a><br />
<span class="album">Orch.V (Skam)</span></p>
<p><strong>Picks:</strong> Plastic Vampires, Re-dimensioning Shape Battles</p>
<p>Skam built itself through not giving too much away. Couple that with an audience that thrived on &#8217;secret knowledge&#8217; and *kaboom*: just add instant rabid fan-base. Besides Boards of Canada and the influence key members had on Radiohead circa Kid A, Skam continues to eke out a solid but low-key style of extremely square beat-making (to be played AT VOLUME). They&#8217;re never really in fashion, instead choosing to exist in a slightly alternate dimension where dance music is more about texture than pumping beats.</p>
<p>Team Doyobi are nerd mages with AUDIO-GRAPHICS skillz, more Commodore Amiga than Apple IIe. Chiptune/8-bit music culture has generally been about nostalgic recreation of game-type soundtracks but Team Doyobi go for the more interesting layer, a few thousand lines of code beneath. It&#8217;s like gifting a soundpiece to the underlying logic &#8211; they&#8217;re more about the colour palette than how Mario looks on the game screen. Team Doyobi want you to lan-party like its Space 1999!<br />
<span class="orange">RIDICULOID</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/300709/lp-black-pus.png" class="alignleft" alt="Ultimate Beat Off cover" /><br />
<strong>Black Pus</strong> <a href="http://www.myspace.com/theblackpus" class="myspace">myspace/theblackpus</a><br />
<span class="album">Ultimate Beat Off (Diareaharama)</span></p>
<p><strong>Picks:</strong> In The Temple Tantrum</p>
<p>Ok, so it&#8217;s not on this album but the first track I heard from Black Pus was <em>Down Da Drain</em>, and I thought it sounded like <em>We Will Rock You</em> squeezed through a tiny fuzzy tube into a heavily distorted mic &#8211; just you listen and you&#8217;ll agree.</p>
<p>There&#8217;s just the three tracks on here, all of them quite brutal dinner-sized bites of slow rolling DOOM. It&#8217;s hard not to factor in Brian Chippendale&#8217;s (Mindflayer, Lightning Bolt) reported hearing loss as a reason for everything being quite so full on &#8211; maybe we&#8217;re just not hearing what he thinks we&#8217;re hearing &#8211; but it&#8217;s most likely because, as a solo project, he&#8217;s now one man where once there was two. Black Pus forms like Voltron and Brian just happens to be the head (with a pair of oversized fists using tree trunks for sticks).<br />
<span class="orange">RIDICULOID</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/300709/lp-nisennenmondai.png" class="alignleft" alt="Fan cover" /><br />
<strong>Nisennenmondai</strong> <a href="http://www.myspace.com/nisennenmondai" class="myspace">myspace/nisennenmondai</a><br />
<span class="album">Fan (Bijin)</span></p>
<p><strong>Picks:</strong> にせんねんもんだい</p>
<p>Don&#8217;t know how or why but somehow Japan retains mystique at least a decade after everyone became an internet information whore. The popular idea that there are (supposedly) tens of thousands of unsigned domestic-noise bands in Japan is possibly qualified by the quality of what does escape beyond Japan&#8217;s borders. For sheer energy it&#8217;s hard to fault Nisennenmondai, an all-women trio exploring basic fundamentals of song structure through simple repetition. RELENTLESS drumming seems to be the key here, keeping slowly changing loops from going too far too fast. If I was going to a desert island and could only take two words with me to describe Nisennenmondai, I&#8217;d take &#8216;dancey Hella&#8217;.<br />
<span class="orange">RIDICULOID</span></p>
<p><img src="http://www.thekitchensink.co.nz/images/listeningpost/300709/lp-debruit.png" class="alignleft" alt="Cle de Bras cover" /><br />
<strong>Debruit</strong> <a href="http://www.myspace.com/dbruit" class="myspace">myspace/dbruit</a><br />
<span class="album">Cle de Bras (Musique Large)</span></p>
<p><strong>Picks:</strong> Pouls (Daedelus Remix), Congo Whoomp</p>
<p>Favourite track here is actually the Daedelus remix of <em>Pouls</em>, overwhelmingly (dare I say it) wondrous, like, if wide-eyed Marina from Stingray had a track she liked to swim to in the year 2009, this would be it.  It also happens to undercut Debruit&#8217;s entire project (this time around) as a superior piece of production to the rest of the album.</p>
<p>Debruit quickly hits a lot of similar notes to Flying Lotus or a less chopped-up Prefuse, and it&#8217;s only in the closing track that you get an indication of where his strength lies. <em>Congo Whoomp</em> is the best indication of what Debruit is going for, managing to put a little of the spotlight back onto himself with a great bouncy beat, squelchy keys burping all over the top &#8211; it&#8217;s super-friendly, smile-inducing stuff. Even then, the fact I hear the same stumbling snare from another Daedelus track <em>Hours Seconds Minutes</em> means I have either listened to too much Daedelus or Debruit just can&#8217;t keep himself away from such well-cornered territory. Still, recommended.<br />
<span class="orange">RIDICULOID</span></p>
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		<title>020709 Wilberforces, The Randoms, Dear Times Waste</title>
		<link>http://thekitchensink.co.nz/the-listening-post/020709-wilberforces-the-randoms-dear-times-waste/</link>
		<comments>http://thekitchensink.co.nz/the-listening-post/020709-wilberforces-the-randoms-dear-times-waste/#comments</comments>
		<pubDate>Thu, 02 Jul 2009 10:57:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[The Listening Post]]></category>

		<guid isPermaLink="false">http://thekitchensink.co.nz/?p=2714</guid>
		<description><![CDATA[Sonic Youth, Dirty Projectors, Wilberforces, Black Moth Super Rainbow, Camera Obscura, The Randoms, Busdriver, Dear Times Waste, Crocodiles, Phoenix, The Thermals, Golden Silvers, Beck, Fever Ray, ]]></description>
			<content:encoded><![CDATA[<p><img src="http://thekitchensink.co.nz/wp-content/uploads/2010/01/lp_sonicYouth.png" alt="" title="The Eternal" width="100" height="100" class="alignleft size-full wp-image-2726" /><br />
<strong>Sonic Youth</strong><br />
<span class="album">The Eternal (Matador)</p>
<p>Featured tracks: Anti-Orgasm, Malibu Gas Station</p>
<p>Old people can be so sexy. The Eternal seems like a familiar, weirdo  lover, crawling up to you from the bottom of the bed, never breaking eye contact. And no, they aren&#8217;t stuck in the past like some tragic cougar trying to revive their glory days by paying off fresh meat, instead their mature musical libido is set to stun. A fresh start on Matador records seems to have liberated and re-energised the band, but The Eternal oozes the Sonic Youth goodness that we all want, with the grunge and art rock<br />
still dominating. There is a good mix of Thurston Moore, Lee Ranaldo and Kim Gordon on vocals (Gordon being extra sexy with her breathy vocals on Massage the History), oh god&#8230; Excuse me, I have to go and touch myself. Old people being sexy AND making a goddam great album? Confusion IS sex (Hahahaha), and I want it.<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://thekitchensink.co.nz/wp-content/uploads/2010/01/lp_dirtyProjectors.png" alt="" title="Bitte Orca" width="100" height="100" class="alignleft size-full wp-image-2729" /><br />
<strong>Dirty Projectors</strong><br />
<span class="album">Bitte Orca / Stillness Is The Move (Domino)</span></p>
<p><strong>Featured tracks:</strong> The Bride, Still Is The Move</p>
<p>The cover art presents two folk femme’s masked behind rudimentary circles of contrasting red and blue, and sets up a pretty brilliant metaphor for this album: Opposites Attract. Those old nuts of Loud V Quiet and Male V Female are certainly there, but there’s also Pop V Awkward (in terms of song construction at least) and, the contradiction that probably underpins the album as a whole: Beautiful V Ugly. And so, completely unlike a dirty projector which would produce a god aweful result, dichotomy’s are gold when creating a beautifully clean, and appropriately warped vision within album Bitte Orca.<br />
<span class="orange">COURTNEY FLURO</span></p>
<p><img src="http://thekitchensink.co.nz/wp-content/uploads/2010/01/lp_wilberforces.png" alt="" title="Haunted" width="100" height="100" class="alignleft size-full wp-image-2730" /><br />
<strong>Wilberforces</strong><br />
<span class="album">Haunted (Etch)</span></p>
<p><strong>Featured tracks:</strong> Tidal Waves, A Grandma Name</p>
<p>A menacing release from these ruffian Dorklanders, Haunted stalks along with 8 engaging songs. Thom&#8217;s vocal lines scream of Flying Nun, with Emily getting amongst the ruckus from time to time. There is a lot of consideration that has gone into the sound of this recording &#8211; but that hasn&#8217;t made<br />
it lose its grunge. Oh no no! It only solidifies the fact that the Wilberforces are not just some ragamuffin shits with instruments. This album hangs out on the darker side of town, especially in songs like &#8216;A Grandma Name&#8217; where a strange male rolls off girls names, sounding somewhat like the<br />
deadpan John Cale in The Gift &#8211; evoking a similar eeriness. A great local treat &#8211; buy it or they will probably punch you.<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://thekitchensink.co.nz/wp-content/uploads/2010/01/lp_blackMothSuperRainbow.png" alt="" title="Eating Us" width="100" height="100" class="alignleft size-full wp-image-2731" /><br />
<strong>Black Moth Super Rainbow</strong><br />
<span class="album">Eating Us (Spunk / EMI)</span></p>
<p><strong>Featured tracks:</strong> Born On The Day The Sun Didn&#8217;t Rise, Tooth Decay</p>
<p>NYC based Black Moth Super Rainbow have been present in the back-alley Indie venues of the Big Apple for a few years now. &#8216;Electronic Psychedelia&#8217; or &#8216;Suga-Psych&#8217; as they have been termed &#8211; the sound is familiar but not cliche. New album &#8216;Eating Us&#8217; has equal moments of Boards Of Canada, The<br />
Jimi Hendrix Exp &amp; Jefferson Airplane whilst still managing to add a fresh approach to the &#8216;experimental&#8217; genre. BMSR have toured with Animal Collective, Flaming Lips, Grizzly Bear, &amp; School Of Seven Bells&#8230;<br />
<span class="orange">LOTION</span></p>
<p><img src="http://thekitchensink.co.nz/wp-content/uploads/2010/01/lp_cameraObscura.png" alt="" title="My Maudlin Career" width="100" height="100" class="alignleft size-full wp-image-2732" /><br />
<strong>Camera Obscura</strong><br />
<span class="album">My Maudlin Career (4AD)</span></p>
<p><strong>Featured tracks:</strong> French Navy, Away With Murder</p>
<p>My Maudlin Career is a great study in writing enchanting pop songs and how to reach joyous emotional climaxes. There are nuggets of tenderness and desperation in there that tickle you in all the fuzzy emotional places &#8211; I just want to pinch their little cheeks! Tracyanne Campbell takes us on a journey through her tumultuous love life, setting it amongst charming arrangements with well chosen instruments that all ring with their own sentimentality. My Maudlin Career is a good album to listen to if you are feeling a little emo about love in all its annoying, soul-destroying and wonderful shapes. Aptly maudlin, indeed.<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://thekitchensink.co.nz/wp-content/uploads/2010/01/lp_theRandoms.png" alt="" title="Throw Your Knives" width="100" height="100" class="alignleft size-full wp-image-2733" /><br />
<strong>The Randoms</strong><br />
<span class="album">Throw Your Knives (Rhymemethod / Independent)</span></p>
<p><strong>Featured tracks:</strong> Track 3, Track 4</p>
<p>These guys have a freakin’ wordfind on the back of their album instead of a track listing. That’s awesome! But it also means that I have no idea what any of the track titles are called. I guess the plan is that you sit with the album playing, back cover in hand, and by the lyrics potentially work out what the track titles could be. Are they even in the word-find? </p>
<p>Are The Randoms (note band name) fucking with us? I saw a film recently called X Way Vision which was a compilation of live clips from kind of forgotten-due-to-Flying Nun’s-popularity bands such as Chug, The Dead C and Shayne Carter’s early work, and this totally reminds me of that. Yes, NZ DIY hardcore resurgence!<br />
<span class="orange">COURTNEY FLURO</span></p>
<p><img src="http://thekitchensink.co.nz/wp-content/uploads/2010/01/lp_busdriver.png" alt="" title="Jhelli Beam" width="100" height="100" class="alignleft size-full wp-image-2734" /><br />
<strong>Busdriver</strong><br />
<span class="album">Jhelli Beam (Anti-)</span></p>
<p><strong>Featured tracks:</strong> Handfuls Of Sky, Fishy Face</p>
<p>A left, left, left of the centre avant-garde hip hop album that will challenge (and mostly impress!). Busdriver has a voice like no other &#8211; staying true to yourself and vision has hardly justified itself so well! Cryptic and hilarious lyrics that will blow your brain, thrown at you faster than a knife in a kung fu movie. If TV on the Radio were to make a hip hop hop album, Jhelli Beam would be it.<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://thekitchensink.co.nz/wp-content/uploads/2010/01/lp_dearTimesWaste.png" alt="" title="Room for Rent EP" width="100" height="100" class="alignleft size-full wp-image-2735" /><br />
<strong>Dear Times Waste</strong><br />
<span class="album">Room For Rent EP (Isaac / Universal)</span></p>
<p><strong>Featured tracks:</strong> Clandestine, Room for Rent</p>
<p>Dear Times Waste is the creation of fresh Auckland songstress Claire Duncan. It has however (through necessity of playing live) grown into a band. DTW have just released their debut EP called &#8216;Room For Rent&#8217; and it showcases 5 awesomely well-crafted tunes. Claire&#8217;s musical history includes Classical &amp; Jazz, which somehow seem to influence her songwriting structures&#8230; though her musical sensibilities lean more towards sultry &amp; twisted Indie-Pop. DJ Lotion strongly urges you to seek out this local treasure.<br />
<span class="orange">LOTION</span></p>
<p><img src="http://thekitchensink.co.nz/wp-content/uploads/2010/01/lp_crocodiles.png" alt="" title="Summer of Hate" width="100" height="100" class="alignleft size-full wp-image-2736" /><br />
<strong>Crocodiles</strong><br />
<span class="album">Summer Of Hate (Fat Possum / Shock)</span></p>
<p>Featured tracks:</span>I Wanna Kill, Summer Of Hate</p>
<p>Crocodiles are a 2-piece band based in San Diego. They have been together less than a year and during that short time have garnished themselves a solid reputation as an excting band to watch out for. Crocodiles sound is equally &#8216;Garage Goth&#8217; and &#8216;Shoegaze Melodramatic Pop&#8217; with comparisons<br />
sitting somewhere between Jesus &amp; Mary Chain, Spiritualized &amp; Velvet Underground. The album &#8216;Summer Of Hate&#8217; is out now and rumours abound they will be visiting these shores before too long!<br />
 <span class="orange">LOTION</span></p>
<p><img src="http://thekitchensink.co.nz/wp-content/uploads/2010/01/lp_phoenix.png" alt="" title="Wolfgang Amadeus Phoenix" width="100" height="100" class="alignleft size-full wp-image-2737" /><br />
<strong>Phoenix</strong><br />
<span class="album">Wolfgang Amadeus Phoenix (V2 / Shock)</span></p>
<p><strong>Featured tracks:</strong> Love Like A Sunset Part 1, 1901</p>
<p>Parisian Power-Pop has never been sounded so good! Phoenix release another slab of ridiculously catchy Indie ditties in the form of new album &#8216;Wolfgang Amadeus Phoenix&#8217;. I have always been a fan of these guys and this album has only reaffirmed that fact &#8211; from the opening chords &#8216;Lisztomania&#8217; it&#8217;s on! Phoenix&#8217;s music has been a staple inclusion in movie-maker Sophia Coppola&#8217;s films for the past 3 films. Phoenix Singer Thomas Mars is her husband, so the circle is complete. Nominees (&amp; possibly winners!) for the &#8220;aarrgghh songs that stay in your head for days on end&#8221; award.<br />
<span class="orange">LOTION</span></p>
<p><img src="http://thekitchensink.co.nz/wp-content/uploads/2010/01/lp_theThermals.png" alt="" title="The Thermals" width="100" height="100" class="alignleft size-full wp-image-2738" /><br />
<strong>The Thermals</strong><br />
<span class="album">Now We Can See (Kill Rock Stars)</span></p>
<p><strong>Featured tracks:</strong> We Were Sick, When We Were Alive</p>
<p>Like the &#8217;90&#8217;s Sub Pop bands that preceded them (although these guys have been around for a fair while too) The Thermals make in your face music and in your face video clips whose simplicity undermines their lyrical and musical integrity. Recording first album in singer Hutch Harris’ kitchen on a four track effectively sums up the DIY urgency The Thermals dedicates to its message, which up until now has consisted of an intense “time capsule worthy” (according to Pitchfork anyway) anti-Bush sentiment, particularly on Fugazi produced third album The Body, The Blood, The Machine. So Obama’s in, and The Thermals are back with fourth album Now We Can See, which just casually deals with emptiness and post-apocalyptic new beginnings. Who said punk was dead?<br />
<span class="orange">COURTNEY FLURO</span></p>
<p><img src="http://thekitchensink.co.nz/wp-content/uploads/2010/01/lp_goldenSilvers.png" alt="" title="True Romance" width="100" height="100" class="alignleft size-full wp-image-2739" /><br />
<strong>Golden Silvers</strong><br />
<span class="album">True Romance (XL Recordings)</span></p>
<p><strong>Featured tracks:</strong> True Romance, The Shakes</p>
<p>The Golden Silvers have written an album that relies pretty much entirely on sleazy synthesizer chords and semi-sung funk white rapping. Doesn’t that sound absolutely fucking terrible? It sounds like what would happen if Prince and Tom Jones got together with Simian Mobile Disco and all wore sequins and yellow pants and just kind of danced amongst silver disco lights while Devo wore those geometrically appropriate hats and played two keyboards at the same time each. And there were mirror balls. BUT. It’s actually really pleasant to listen to and really refreshing. Just when I thought we were in an inescapable jungle of timpani inspired Brooklyn-based indie rock, The Golden Silvers are taking it back to where the Brits have always been good at harking from – the Streets – albeit with the hardly-State-Housing additions of handclaps and A Capella.<br />
<span class="orange">COURTNEY FLURO</span></p>
<p><img src="http://thekitchensink.co.nz/wp-content/uploads/2010/01/lp_beck.png" alt="" title="One Foot in the Grave deluxe re-issue" width="100" height="100" class="alignleft size-full wp-image-2740" /><br />
<strong>Beck</strong><br />
<span class="album">One Foot In The Grave Deluxe Re-issue (K Records / XL Recordings)</span></p>
<p><strong>Featured tracks:</strong> Orange Peel, Teenage Wastebasket</p>
<p>So sometime over the last couple (maybe three) albums things on Beck&#8217;s end have been anything but peachy. He’s depressed at the world people, if Modern Guilt wasn’t a big enough hint, and who knows, maybe Scientology has something to do with it. But there was a time, 1994 to be more specific,<br />
when Beck was just a golden locked lad (albeit also musical genius) doing his thing &#8211; which given he was already onto his third studio album which would preceed the much lauded Odelay – was creating elegantly crafted, intelligent pop, that seemed simple but hid a critical musical process and progression that would come to the fore in future years and future albums. It’s Beck pre-paranoia, and it’s crucial listening if you want to understand his pre-theological career.<br />
<span class="orange">COURTNEY FLURO</span></p>
<p><img src="http://thekitchensink.co.nz/wp-content/uploads/2010/01/lp_feverRay.png" alt="" title="Fever Ray" width="100" height="100" class="alignleft size-full wp-image-2741" /><br />
<strong>Fever Ray</strong><br />
<span class="album">Fever Ray (Rabid / Universal)</span></p>
<p><strong>Featured tracks:</strong> When I Grow Up, Keep The Streets Empty For Me</p>
<p>Fever Ray is the alias of Karen Dreijler; vocalist/songwriter of The Knife &#8211; Sweden&#8217;s Kreepiest Band! Fever Ray is Karen stepping out on her own, without brother &#8211; Producer, multi-instrumentalist Orliff in tow. The album is similar in feel to her previous work &#8211; the eeriness &amp; spook factor of The Knife are still present. However the beats and tempo are not. This is the sound of a talented banshee stretching her own musical muscle as Fever Ray moves off in a more downbeat, organic &amp; melodic direction. The album&#8217;s lyrics are a mix of blood, sweat, tears n&#8217; housework.<br />
<span class="orange">LOTION</span></p>
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		<title>280509 Tourettes, Seth Frightening, Snowfield</title>
		<link>http://thekitchensink.co.nz/the-listening-post/may-28-tourettes-seth-frightening-snowfield/</link>
		<comments>http://thekitchensink.co.nz/the-listening-post/may-28-tourettes-seth-frightening-snowfield/#comments</comments>
		<pubDate>Wed, 27 May 2009 22:11:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[The Listening Post]]></category>

		<guid isPermaLink="false">http://thekitchensink.co.nz/?p=2677</guid>
		<description><![CDATA[The Vaselines, The Horrors, The Hairdos, Seth Frightening/Snowfield, St Vincent, Chicks on Speed, Florence and the Machine, Ponytail, Motocade, The Juan Maclean, Tame Impala, Tourettes]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.thekitchensink.co.nz/wp-content/uploads/2010/01/tks_01.jpg" alt="" title="Enter the Vaselines" width="100" height="100" class="alignleft size-full wp-image-2677" /><br />
<strong>The Vaselines</strong><br />
<span class="album">Enter the Vaselines</span></p>
<p><strong>Featured tracks:</strong> Molly&#8217;s Lips, Son of a Gun (demo version)</p>
<p>When I listened to this collection for the first time I was completely engaged. I could feel a smile stretch right across my face &#8211; I couldn&#8217;t help myself! They sound like a bedroom Magnetic Fields from Dunedin in the 80&#8217;s. This is a compilation of previously released EPs and an album that have been remastered, plus it has a bonus disk of demos and live stuff!</p>
<p><em>ps</em> Did you know that Kurt Cobain named his daughter after Frances McKee who is the lovely lady in the band?<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://www.thekitchensink.co.nz/wp-content/uploads/2010/01/tks_02.jpg" alt="" title="Primary Colours" width="100" height="100" class="alignleft size-full wp-image-2679" /><br />
<strong>The Horrors</strong><br />
<span class="album">Primary Colours</span></p>
<p><strong>Featured tracks:</strong> Three Decades, Scarlett Fields</p>
<p>I am so glad that this is what The Horrors came out with after their first album Strange House. It&#8217;s a more sophisticated release that showcases their integrity as musicians, proving they aren&#8217;t just some gangly dudes who like to dress up and look spooky. Though you really have to look at the complete package when it comes to The Horrors, this album solidifies them as more than just a hype band. Cinematic, dark and inspiring.<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://www.thekitchensink.co.nz/wp-content/uploads/2010/01/tks_04.jpg" alt="" title="I Like it Spooky" width="100" height="100" class="alignleft size-full wp-image-2681" /><br />
<strong>The Hairdos</strong><br />
<span class="album">I like it spooky</span></p>
<p><strong>Featured tracks: Night Creeper</strong>, I Like It Spooky</p>
<p>You can only buy this EP at gigs &#8211; The Hairdos played at the Adelaide earlier this year and it was was INCREDIBLE! It&#8217;s was one of those gigs where you leave feeling totally revitalised &#8211; get along to the next one. Yeah it may be a little rough around the edges, but it is the perfect wee indicator of what these guys are all about. Sounds like a less uptight, looser Cramps. Have you ever wondered what it&#8217;s like to die?<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://www.thekitchensink.co.nz/wp-content/uploads/2010/01/tks_03.jpg" alt="" title="Untitled (split 7")" width="100" height="100" class="alignleft size-full wp-image-2680" /><br />
<strong>Snowfield / Seth Frightening</strong><br />
<span class="album">Untitled (split 7&#8243;)</span></p>
<p><strong>Featured tracks:</strong> The Raven, If this is liberty then give me death</p>
<p>This beautifully designed split 7” has been locally released by two of New Zealand’s underground songwriters. And on it they are covering each others songs! What a good idea. Only available from Slowboat or if you get in touch with Snowfield at cupcakerabbit@gmail.com.<br />
<span class="orange">MINTY FRESH</span></p>
<p><img src="http://www.thekitchensink.co.nz/wp-content/uploads/2010/01/fluro_01.jpg" alt="" title="St Vincent" width="100" height="100" class="alignleft size-full wp-image-2683" /><br />
<strong>St Vincent</strong><br />
<span class="album">Actor</span></p>
<p><strong>Featured tracks:</strong> The Neighbours, Marrow</p>
<p>When I first listened to Annie Clarke AKA St Vincent’s Actor I immediately thought of Bambi and The Sound of Music. There’s something completely theatrical about the vocals, production and thematic countenance combined that remind me of singing maids, bluebirds, and Nazi’s. Well, maybe not the latter, but on her sophomore album this ex member of The Polyphonic Spree definitely has a silver screen, other-worldly thing going on.<br />
<span class="orange">COURTNEY SANDERS</span></p>
<p><img src="http://www.thekitchensink.co.nz/wp-content/uploads/2010/01/fluro_02.jpg" alt="" title="Cutting the Edge" width="100" height="100" class="alignleft size-full wp-image-2684" /><br />
<strong>Chicks on Speed</strong><br />
<span class="album">Cutting the Edge</span></p>
<p><strong>Featured tracks:</strong> Art Speaks Out / Vibrator, Coolhunters / The Worst Band in the World</p>
<p>Chicks on Speed are going to be that controversial choice at a Listening Post because they’re not really considered a band by many, and I guess in conventional terms they probably aren’t. However, they are integral cultural commentators, unafraid to raise issues in a popular context that others won’t touch, and are completely inclusion-worthy as a result. Leotards and spoken word combined has never been more relevant.<br />
<span class="orange">COURTNEY SANDERS</span></p>
<p><img src="http://www.thekitchensink.co.nz/wp-content/uploads/2010/01/fluro_03.jpg" alt="" title="A Lot of Love, A Lot of Blood EP" width="100" height="100" class="alignleft size-full wp-image-2685" /><br />
<strong>Florence and the Machine</strong><br />
<span class="album">A Lot of Love, A Lot of Blood EP</span></p>
<p><span class="bold">Featured tracks:</span> Kiss With a Fist, The Dog Days are Over</p>
<p>Hailing from London-town, Florence Welch is a flame haired femme with a wailing voice that takes on the talents of Cat Power and the issues of Lily Allen. Keeping things lo-fi by singing in parks, forests, clown-filled playgrounds and the like, this nymphette evokes all the emotion of Grace Slick at her peak, sans man problems (at least within band).<br />
<span class="orange">COURTNEY SANDERS</span></p>
<p><img src="http://www.thekitchensink.co.nz/wp-content/uploads/2010/01/fluro_04.jpg" alt="" title="Ice Cream Spiritual" width="100" height="100" class="alignleft size-full wp-image-2686" /><br />
<strong>Ponytail</strong><br />
<span class="album">Ice Cream Spiritual</span></p>
<p><strong>Featured tracks:</strong> 7 Souls, Sky Drool</p>
<p>Aside from the fact that Ponytail was signed to a record label (We Are Free) with an incredible history (bankruptcy via gambling debts leading to establishment of said label) they also have a lead singer whose vocals are impossible to categorise. Molly Siegel doesn’t sing words, she’s not in tune, and often not even in time, and in any other band this’d be a massive fail. But, within the instrumental ability of post punkers Ponytail it totally works, and Ice Cream Spiritual is some sort of Eastern dance around happiness as a result.<br />
<span class="orange">COURTNEY SANDERS</span></p>
<p><img src="http://www.thekitchensink.co.nz/wp-content/uploads/2010/01/active_01.jpg" alt="" title="Tightrope Highway" width="100" height="100" class="alignleft size-full wp-image-2688" /><br />
<strong>Motocade</strong><br />
<span class="album">Tightrope Highway</span></p>
<p>Featured tracks: Octopus, Oldest Trick in the Book</p>
<p>Motocade are an Auckland based Indie-Pop quartet who have been solidly plying their trade to discerning ears for the best part of 4 years. Motocade have released 2 EPs (or short-form albums) making this their debut long-player. Eden Mulholland is a class songwriter with an ear for the<br />
massive Pop hook.<br />
<span class="orange">LOTION</span></p>
<p><img src="http://www.thekitchensink.co.nz/wp-content/uploads/2010/01/active_02.jpg" alt="" title="The Future Will Come" width="100" height="100" class="alignleft size-full wp-image-2689" /><br />
<strong>The Juan Maclean</strong><br />
<span class="album">The Future Will Come</span></p>
<p>Featured tracks:Simple Life, A New Bot</p>
<p>The Juan MacLean is New York Electronic producer Juan &amp; his mainstay vocalist / keyboardist Nancy Wang. Signed to the incredibly solid DFA label, The Juan have just released their second album &#8211; &#8216;The Future Will Come&#8217;. Indie / Electronic / Disco-House? Or is that Space Disco??<br />
<span class="orange">LOTION</span></p>
<p><img src="http://www.thekitchensink.co.nz/wp-content/uploads/2010/01/active_03.jpg" alt="" title="Tame Impala EP" width="100" height="100" class="alignleft size-full wp-image-2690" /><br />
<strong>Tame Impala</strong><br />
<span class="album">Tame Impala EP</span></p>
<p><strong>Featured tracks:</strong> Half Full Glass of Wine, 40,000 Mosquitoes Flying in Formation</p>
<p>Tame Impala are a 3-piece Psychedelic Rock outfit hailing from Perth, Australia. We don&#8217;t use the term &#8216;psychedelic&#8217; lightly. This sounds like it was recorded in the late 60&#8217;s with band members &amp; groupies drenched in barbituates and LSD. New signing to Modular Records&#8230; perhaps their most bold signing yet.<br />
<span class="orange">LOTION</span></p>
<p><img src="http://www.thekitchensink.co.nz/wp-content/uploads/2010/01/active_04.jpg" alt="" title="Who Said You Can&#039;t Dance to Misery" width="100" height="100" class="alignleft size-full wp-image-2691" /><br />
<strong>Tourettes</strong><br />
<span class="album">Who Said You Can&#8217;t Dance to Misery</span></p>
<p>Featured tracks:Helper Monkey, Letting Go</p>
<p>MC Tourettes has just unleashed his 2nd album off the Breakin Wreckwordz label. &#8216;Left of Centre&#8217;, dark, ominous, scary! All of these things but the bugger still manages to pull you into his sick world where everything grooves and brutal honesty always triumphs. A stand-out NZ Hip-Hop release for 09&#8230;<br />
<span class="orange">LOTION</span></p>
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